The Girl of the Golden West

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LA FANCIULLA DEL WEST (THE GIRL OF THE GOLDEN WEST) - Giacomo Puccini

Opera in three acts, in Italian, with Hungarian, English, and Italian subtitles

Performance length: 3 hours 30 minutes, with 2 intermissions.

 

After watching David Belasco's play The Girl of the Golden West on his 1907 visit to New York, Puccini resolved to set this somewhat unusual love story of the Wild West to music on the opera stage. The dramatic material proved to be a good choice, with an effectively moving plot that takes viewers to the denouement with a sure hand. The character of Minnie is also a highly suitable addition to Puccini's ranks of heroines: driven by love and passion, she thus has no fear of risking even her own life. 

The piece is staged at the Opera House in a production directed by Vasily Barkhatov, who is regularly engaged to work all over Russia and Europe.

 

 

Synopsis

Time:1849 to 1850.

Place: A mining camp at the foot of the Cloudy Mountains, California.

 

Act 1

Inside the Polka Saloon

A group of Gold Rush miners enter the "Polka" saloon after a day working at the mine ("Hello! Hello! Alla 'Polka'"). After a song by traveling minstrel Jake Wallace ("Che faranno i vecchi miei"), one of the miners, Jim Larkens, is homesick and the miners collect enough money for his fare home ("Jim, perché piangi?").

 

A group of miners playing cards discover that Sid is cheating and want to attack him. Sheriff Jack Rance quiets the fight and pins two cards to Sid's jacket, as a sign of a cheat.

 

A Wells Fargo agent, Ashby, enters and announces that he is chasing the bandit Ramerrez and his gang of Mexicans. Rance toasts Minnie, the woman who owns the saloon, as his future wife, which makes Sonora jealous. The two men begin to fight. Rance draws his revolver but at that moment, a shot rings out and Minnie stands next to the bar with a rifle in her hands ("Hello, Minnie!"). She gives the miners a reading lesson from the Bible ("Dove eravamo?").

 

The Pony Express rider arrives ("La posta!") and delivers a telegram from Nina Micheltorena, offering to reveal Ramerrez's hideout. The sheriff tells Minnie that he loves her, but Minnie puts him off as she is waiting for the right man ("Ti voglio bene, Minnie").

 

A stranger enters the saloon and asks for a whisky and water. He introduces himself as Dick Johnson from Sacramento, whom Minnie had met earlier. Johnson invites Minnie to dance with him and she accepts. Angrily, Rance watches them.

 

Ashby returns with the captured Ramerrez gang member, Castro. Upon seeing his leader, Johnson, in the saloon, Castro agrees to lead Rance, Ashby and the miners in a search for Ramerrez, and the group then follows him on a false trail and in what turns out to be a wild goose chase. But before Castro leaves, he whispers to Johnson that somebody will whistle and Johnson must reply to confirm that the place is clear. A whistle is heard, but Johnson fails to reply.

 

Minnie shows Johnson the keg of gold that she and the miners take turns to guard at night and Johnson reassures her that the gold will be safe there. Before he leaves the saloon, he promises to visit her at her cabin. They confess their love for each other. Minnie begins to cry, and Johnson comforts her before he leaves.

 

Act 2

Minnie's dwelling, later that evening

Wowkle, a Native American woman who is Minnie's servant, her lover Billy Jackrabbit and their baby are present as Minnie enters, wanting to get ready for Johnson's visit. Johnson enters Minnie's cabin and she tells him all about her life. It begins to snow. They kiss and Minnie asks him to stay till morning. He denies knowing Nina Micheltorena. As Johnson hides, a posse enters looking for Ramerrez and reveal to Minnie that Johnson is the bandit Ramerrez himself. Angry, she orders Johnson to leave. After he leaves, Minnie hears a gunshot and she knows Johnson has been shot. Johnson staggers in and collapses, Minnie helps him by hiding him up in the loft. Rance enters Minnie's cabin looking for the bandit and is about to give up searching for Johnson when drops of blood fall on his hand. Rance forces Johnson to climb down. Minnie desperately makes Rance an offer: if she beats him at poker, he must let Johnson go free; if Rance wins, she will marry him. Hiding some cards in her stockings, Minnie cheats and wins. Rance honors the deal and Minnie throws herself on the unconscious Johnson on the floor.

 

Act 3

In the Great Californian Forest at dawn, sometime later

Johnson is again on the run from Ashby and the miners. Nick and Rance are discussing Johnson and wonder what Minnie sees in him when Ashby arrives in triumph: Johnson has been captured. Rance and the miners all want Johnson to be hanged. Johnson accepts the sentence and only asks the miners not to tell Minnie about his capture and his fate ("Ch'ella mi creda"). Minnie arrives, armed with a pistol, just before the execution and throws herself in front of Johnson to protect him. While Rance tries to proceed, she convinces the miners that they owe her too much to kill the man she loves, and asks them to forgive him ("Ah! Ah! È Minnie! ... Non vi fu mai chi disse 'Basta!'"). One by one, the miners yield to her plea ("E anche tu lo vorrai, Joe"). Rance is not happy but finally he too gives in. Sonora unties Johnson and sets him free. The miners bid Minnie farewell ("Le tue parole sono di Dio"). Minnie and Johnson leave California to start a new life together.

Program and cast

Conductor: Pier Giorgio Morandi

Minnie: Chiara Isotton

Jack Rance, sheriff: Alexandru Agache, Csaba Szegedi

Dick Johnson (Ramerrez), a bandit: Zoltán Nyári, Gaston Rivero

Nick, bartender: Artúr Szeleczki

Ashby, a Wells Fargo agent: Bence Pataki

Sonora, a miner: Azat Malik

Trin, a miner: Gergely Ujvári

Sid, a miner: Lajos Geiger

Bello, a miner: Attila Erdős

Harry, a miner: Tivadar Kiss

Joe, a miner: Benjámin Beeri

Happy, a miner: Lőrinc Kósa

Jim Larkens, a miner: Géza Gábor

Billy Jackrabbit, a Red Indian: Attila Dobák

Wowkle, his wife: Anna Csenge Fürjes

Jake Wallace, a traveling camp minstrel: András Káldi Kiss

José Castro, a mestizo: Boldizsár Zajkás

 

Featuring the Hungarian State Opera Orchestra and Chorus

 

Composer: Giacomo Puccini

Libretto based on David Belasco's The Girl of the Golden West by Guelfo Civinini, Carlo Zangarini

Director: Vasily Barkhatov

Set designer: Zinovy Margolin

Costume designer: Olga Shaishmelashvili

Lighting designer: Alexandr Alexandrovich Sivaev

Dramaturg: Eszter Orbán

Hungarian translation by Eszter Orbán

English translation by Arthur Roger Crane

Chorus director: Gábor Csiki

Photo gallery
La Fanciulla del West
Berecz Valter, Csibi Szilvia, Nagy Attila, Rákossy Péter
© Berecz Valter, Csibi Szilvia, Nagy Attila, Rákossy Péter
La Fanciulla del West 2
Berecz Valter, Csibi Szilvia, Nagy Attila, Rákossy Péter
© Berecz Valter, Csibi Szilvia, Nagy Attila, Rákossy Péter
La Fanciulla del West 3
Berecz Valter, Csibi Szilvia, Nagy Attila, Rákossy Péter
© Berecz Valter, Csibi Szilvia, Nagy Attila, Rákossy Péter
La Fanciulla del West 4
Berecz Valter, Csibi Szilvia, Nagy Attila, Rákossy Péter
© Berecz Valter, Csibi Szilvia, Nagy Attila, Rákossy Péter

Hungarian State Opera

STANDING ROOM TICKETS - INFORMATION IN CASE OF A FULL HOUSE!

If all the seats are sold out for the selected time, but you still want to see the production on that day, 84 of the extremely affordable standing seats will be sold at the theatre, 2 hours before the start of the performance, with which you can visit the gallery on the 3rd floor. Tickets can be purchased at the ticket office of the Budapest Opera House. We would like to draw your attention to the fact that the stage can only be seen to a limited extent from the standing places and the side seats, but at the same time, following the performance is also supported by television broadcasting on the spot.

The Opera House is not only one of the most significant art relic of Budapest, but the symbol of the Hungarian operatic tradition of more than three hundred years as well. The long-awaited moment in Hungarian opera life arrived on September 27, 1884, when, in the presence of Franz Joseph I. the Opera House was opened amid great pomp and ceremony. The event, however, erupted into a small scandal - the curious crowd broke into the entrance hall and overran the security guards in order to catch a glimpse of the splendid Palace on Sugar út. Designed by Mikós Ybl, a major figure of 19th century Hungarian architecture, the construction lived up to the highest expectations. Ornamentation included paintings and sculptures by leading figures of Hungarian art of the time: Károly Lotz, Bertalan Székely, Mór Than and Alajos Stróbl. The great bronze chandelier from Mainz and the stage machinery moda by the Asphaleia company of Vienna were both considered as cutting-edge technology at that time.

 

Many important artists were guests here including Gustav Mahler, the composer who was director in Budapest from 1887 to 1891. He founded the international prestige of the institution, performing Wagner operas as well as Magcagni’ Cavalleria Rusticana. The Hungarian State Opera has always maintained high professional standards, inviting international stars like Renée Fleming, Cecilia Bartoli, Monserrat Caballé, Placido Domingo, Luciano Pavarotti, José Cura, Thomas Hampson and Juan Diego Flórez to perform on its stage. The Hungarian cast include outstanding and renowed artists like Éva Marton, Ilona Tokody, Andrea Rost, Dénes Gulyás, Attila Fekete and Gábor Bretz.

Attila Nagy
© Berecz Valter, Csibi Szilvia, Nagy Attila, Rákossy Péter
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