Porgy and Bess

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PORGY AND BESS

Opera in three acts, in English, with Hungarian and English subtitles

By: George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin

Performance length: 4 hours, with 2 intermissions.

 

Pretty much everybody has heard the classic hits I Got Plenty O’ Nuttin’  and It Ain’t Necessarily So, and, perhaps most famous of all: Summertime. What most people don't realize, however, is that these great songs are not simply old jazz standards. They started life as the most popular parts of one of the most famous American operas: Porgy and Bess®.

Dating from 1935, this work created by George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin, originally presented the lives of the inhabitants of an African-American community in Charleston, South Carolina, in all of its splendor – its joyfulness and reverence, the hard work and, sometimes, its violence – through the love story of a crippled beggar and a drug-addicted woman.

The English surtitles use the text from the original work, which is written mostly in the Gullah dialect.

“GERSHWIN® is a registered trademark and service mark of Gershwin Enterprises. PORGY AND BESS® is a registered trademark and service mark of Porgy and Bess Enterprises.”

 

Disclaimer of the copyright owners: “The manner in which this production of Porgy and Bess is being produced is unauthorized and is contrary to the requirements for the presentation of the work.”

 

 

Synopsis

Place: Catfish Row, a fictitious large black tenement based on Cabbage Row, on the waterfront of Charleston, South Carolina.

Time: The early 1920s.

 

Act 1

Scene 1: Catfish Row, a summer evening

The opera begins with a short introduction which segues into an evening in Catfish Row. Jasbo Brown entertains the community with his piano playing. Clara, a young mother, sings a lullaby to her baby ("Summertime") as the working men prepare for a game of craps ("Roll them Bones"). One of the players, Robbins, scorns his wife Serena's demands that he not play, retorting that on a Saturday night, a man has the right to play. Clara's husband, the fisherman Jake, tries his own lullaby ("A Woman is a Sometime Thing") with little effect. Little by little, other characters in the opera enter Catfish Row, among them Mingo, another fisherman, and Jim, a cotton-hauling stevedore who, tired of his job, decides to give it up and join Jake and the other fishermen. Porgy, a disabled beggar, enters on his goat cart to organize the game. Peter, an elderly "honey man" [honey vendor] returns, singing his vendor's call. Crown, a strong and brutal stevedore, storms in with his woman, Bess, and buys cheap whiskey and some "happy dust" off the local dope peddler, Sportin' Life. Bess is shunned by the women of the community, especially the pious Serena and the matriarchal cookshop owner Maria, but Porgy softly defends her. The game begins. One by one, the players get crapped out, leaving only Robbins and Crown, who has become extremely drunk. When Robbins wins, Crown attempts to prevent him from taking his winnings. A brawl ensues, which ends when Crown stabs Robbins with Jim's cotton hook, killing him. Crown runs, telling Bess to fend for herself but that he will be back for her when the heat dies down. Sportin' Life gives her a dose of happy dust and offers to take her with him when he goes to New York, but she rejects him. He flees, and Bess begins to pound on doors, but is rejected by all of the residents of Catfish Row, with the exception of Porgy, who lets her in.

 

Scene 2: Serena's Room, the following night

The mourners sing a spiritual to Robbins ("Gone, Gone, Gone"). To raise money for his burial, a saucer is placed on his chest for the mourners' donations ("Overflow"). Bess enters with Porgy and attempts to donate to the burial fund, but Serena rejects her money until Bess explains that she is now living with Porgy. A white detective enters and coldly tells Serena that she must bury her husband the next day, or his body will be given to medical students (for dissection). He suddenly accuses Peter of Robbins's murder. Peter denies his guilt and says Crown was the murderer. The Detective orders Peter to be arrested as a material witness, whom he will force to testify against Crown. Serena laments her loss in "My Man's Gone Now". The undertaker enters. The saucer holds only fifteen dollars of the needed twenty-five, but he agrees to bury Robbins as long as Serena promises to pay him back. Bess, who has been sitting in silence slightly apart from the rest of those gathered, suddenly begins to sing a gospel song and the chorus joyfully join in, welcoming her into the community. ("Oh, the Train is at de Station")

 

Act 2

Scene 1: Catfish Row, a month later, in the morning

Jake and the other fishermen prepare for work ("It take a long pull to get there"). Clara asks Jake not to go because it is time for the annual storms, but he tells her that they desperately need the money. This causes Porgy to sing from his window about his new, happy-go-lucky outlook on life. ("I got plenty o' nuttin"). Sportin' Life waltzes around selling "happy dust", but soon incurs the wrath of Maria, who threatens him. ("I hates yo' struttin' style"). A fraudulent lawyer, Frazier, arrives and farcically divorces Bess from Crown. When he discovers Bess and Crown were not married, he raises his price from a dollar to a dollar and a half. Archdale, a white lawyer, enters and informs Porgy that Peter will soon be released. The bad omen of a buzzard flies over Catfish Row and Porgy demands that it leave now that he finally has found happiness. ("Buzzard keep on flyin' over".)

 

As the rest of Catfish Row prepares for the church picnic on nearby Kittiwah Island, Sportin' Life again offers to take Bess to New York with him; she refuses. He attempts to give her some "happy dust" despite her claims that she's given up drugs, but Porgy grabs his arm and scares him off. Sportin' Life leaves, reminding Bess as he goes that her men friends come and go, but he will be there all along. Bess and Porgy are now left alone, and express their love for each other ("Bess, You Is My Woman Now"). The chorus re-enters in high spirits as they prepare to leave for the picnic ("Oh, I can't sit down"). Bess is invited to the picnic by Maria, but she demurs as Porgy cannot come (due to his disability, he cannot get on the boat), but Maria insists. Bess leaves Porgy behind as they go off to the picnic. Porgy watches the boat leave ("I got plenty o' nuttin" reprise).

 

Scene 2: Kittiwah Island, that evening

The chorus enjoys themselves at the picnic ("I ain't got no shame"). Sportin' Life presents the chorus his cynical views on the Bible ("It Ain't Necessarily So"), causing Serena to chastise them ("Shame on all you sinners!"). Everyone gets ready to leave. As Bess, who has lagged behind, tries to follow them, Crown emerges from the bushes. He reminds her that Porgy is "temporary" and laughs off her claims that she has been living decently now. Bess wants to leave Crown forever and attempts to make him forget about her ("Oh, what you want wid Bess?") but Crown refuses to give her up. He grabs her and will not let her go to the boat, which leaves without her, and then forcefully kisses her. He laughs at his conquest as her resistance begins to fail, and commands her to get into the woods, where his intentions are only too clear.

 

Scene 3: Catfish Row, a week later, just before dawn

A week later, Jake leaves to go fishing with his crew, one of whom observes that it looks as if a storm is coming in. Peter, still unsure of his crime, returns from prison. Meanwhile, Bess is lying in Porgy's room delirious with fever, which she has had ever since returning from Kittiwah Island. Serena prays to remove Bess's affliction ("Oh, Doctor Jesus"), and promises Porgy that Bess will be well by five o'clock. As the day passes, a strawberry woman, Peter (the Honey Man) and a crab man each pass by with their wares ("Vendors' Trio"). As the clock chimes five, Bess recovers from her fever. Porgy tells Bess that he knows she has been with Crown, and she admits that Crown has promised to return for her. Porgy tells her she is free to go if she wants to, and she tells him that although she wants to stay ("I Wants to Stay Here"), she is afraid of Crown's hold on her. Porgy asks her what would happen if there was no Crown, and Bess tells Porgy she loves him and begs him to protect her. Porgy promises that she will never have to be afraid again ("I Loves You, Porgy").

 

Clara watches the water, fearful for Jake. Maria tries to allay her fears, but suddenly the hurricane bell begins to ring.

 

Scene 4: Serena's Room, dawn of the next day

The residents of Catfish Row are all gathered in Serena's room for shelter from the hurricane. They drown out the sound of the storm with prayers and hymns ("Oh, Doctor Jesus") while Sportin' Life mocks their assumption that the storm is a signal of Judgment Day. Clara desperately sings her lullaby ("Summertime" [reprise]). A knock is heard at the door, and the chorus believes it to be Death ("Oh there's somebody knocking at the door"). Crown enters dramatically, having swum from Kittiwah Island, seeking Bess. He shows no fear of God, claiming that after the long struggle from Kittiwah, God and he are friends. The chorus tries to drown out his blaspheming with more prayer, and he taunts them by singing a vulgar song ("A red-headed woman"). Suddenly, Clara sees Jake's boat float past the window, upside-down, and she runs out to try to save him, handing her baby to Bess. Bess asks that one of the men go out with her, and Crown taunts Porgy, who cannot go. Crown goes himself, yelling out as he leaves "Alright, Big Friend! We're on for another Bout!" The chorus continue to pray as the storm rises.

 

Act 3

Scene 1: Catfish Row, the next night

A group of women mourn Clara, Jake, and all of those who have been killed in the storm ("Clara, Clara, don't you be downhearted"). When they begin to mourn for Crown as well, Sportin' Life laughs at them and is told off by Maria. He insinuates that Crown may not be dead, and observes that when a woman has a man, maybe she's got him for keeps, but if she has two men, then it's highly likely she'll end up with none. Bess is heard singing Clara's lullaby to her baby, whom she is now taking care of. ("Summertime" [reprise]). Once Catfish Row is dark, Crown stealthily enters to claim Bess, but is confronted by Porgy. A fight ensues that ends when Porgy kills Crown. Porgy exclaims to Bess, "You've got a man now. You've got Porgy!"

 

Scene 2: Catfish Row, the next afternoon

The detective enters and talks with Serena and her friends about the murders of Crown and Robbins. They deny knowledge of Crown's murder, frustrating the detective. Needing a witness for the coroner's inquest, he next questions an apprehensive Porgy. Once Porgy admits to knowing Crown, he is ordered to come and identify Crown's body. Sportin' Life tells Porgy that corpses bleed in the presence of their murderers, and the detective will use this to hang Porgy. Porgy refuses to identify the body, but is dragged off anyway. Bess is distraught, and Sportin' Life puts his plan into action. He tells her that Porgy will be locked up for a long time, and points out that he is the only one still here. He offers her happy dust, and though she refuses, he forces it on her. After she takes a whiff, he paints a seductive picture of her life with him in New York ("There's a boat dat's leavin' soon for New York"). She regains her strength and rushes inside, slamming the door on his face, but he leaves a packet of happy dust on her doorstep, and settles down to wait.

 

Scene 3: Catfish Row, a week later

On a beautiful morning, Porgy is released from jail, where he has been arrested for contempt of court after refusing to look at Crown's body. He returns to Catfish Row much richer after playing craps with his cellmates. He gives gifts to the residents, and pulls out a beautiful red dress for Bess. He does not understand why everyone seems so uneasy at his return. He sees Clara's baby is now with Serena and realizes something is wrong. He asks where Bess is. Maria and Serena tell him that Bess has run off with Sportin' Life to New York ("Oh Bess, Oh Where's my Bess?"). Porgy calls for his goat cart, and resolves to leave Catfish Row to find her. He prays for strength, and begins his journey. ("Oh, Lawd, I'm on my way")

Program and cast

Conductor: István Dénes

Porgy: András Palerdi, Sir Willard White

Bess: Gabriella Létay Kiss

Sporting Life: János Szemenyei

Crown: Károly Szemerédy

Jake: Attila Erdős

Clara: Kinga Kriszta

Robbins: N.N.

Serena: Gabriella Fodor

Maria: Gabriella Balga

Mingo: Balázs Papp univ. stud.

Peter: Botond Pál

Frazier / Undertaker: András Káldi Kiss

Crab Man / Nelson: Ninh Duc Hoang Long

Detective: Artúr Kálid

Mr. Archdale / Coroner: Dániel Viktor Nagy

Policeman: N.N.

 

Featuring the Hungarian State Opera Orchestra, Chorus, and Children's Chorus, as well as the Hungarian National Ballet

 

By George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin

Director: András Almási-Tóth

Set designer: Sebastian Hannak

Costume designer: Krisztina Lisztopád

Choreographer: Dóra Barta

Hungarian translation by Judit Kenesey

Head of the Children's Chorus: Nikolett Hajzer

Chorus director: Gábor Csiki

Hungarian State Opera

STANDING ROOM TICKETS - INFORMATION IN CASE OF A FULL HOUSE!

If all the seats are sold out for the selected time, but you still want to see the production on that day, 84 of the extremely affordable standing seats will be sold at the theatre, 2 hours before the start of the performance, with which you can visit the gallery on the 3rd floor. Tickets can be purchased at the ticket office of the Budapest Opera House. We would like to draw your attention to the fact that the stage can only be seen to a limited extent from the standing places and the side seats, but at the same time, following the performance is also supported by television broadcasting on the spot.

The Opera House is not only one of the most significant art relic of Budapest, but the symbol of the Hungarian operatic tradition of more than three hundred years as well. The long-awaited moment in Hungarian opera life arrived on September 27, 1884, when, in the presence of Franz Joseph I. the Opera House was opened amid great pomp and ceremony. The event, however, erupted into a small scandal - the curious crowd broke into the entrance hall and overran the security guards in order to catch a glimpse of the splendid Palace on Sugar út. Designed by Mikós Ybl, a major figure of 19th century Hungarian architecture, the construction lived up to the highest expectations. Ornamentation included paintings and sculptures by leading figures of Hungarian art of the time: Károly Lotz, Bertalan Székely, Mór Than and Alajos Stróbl. The great bronze chandelier from Mainz and the stage machinery moda by the Asphaleia company of Vienna were both considered as cutting-edge technology at that time.

 

Many important artists were guests here including Gustav Mahler, the composer who was director in Budapest from 1887 to 1891. He founded the international prestige of the institution, performing Wagner operas as well as Magcagni’ Cavalleria Rusticana. The Hungarian State Opera has always maintained high professional standards, inviting international stars like Renée Fleming, Cecilia Bartoli, Monserrat Caballé, Placido Domingo, Luciano Pavarotti, José Cura, Thomas Hampson and Juan Diego Flórez to perform on its stage. The Hungarian cast include outstanding and renowed artists like Éva Marton, Ilona Tokody, Andrea Rost, Dénes Gulyás, Attila Fekete and Gábor Bretz.

Attila Nagy
© Berecz Valter, Rákossy Péter
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