The Taming of the Shrew

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Shakespeare’s The Taming of the Shrew has inspired a string of stage and film adaptations. The most important ballet adaptations include Maurice Béjart’s 1954 choreography set to the music of Scarlatti, the Czech Vera Untermüllerov.’s 1961 work based on the melodies of a Czech composer, and John Cranko’s 1961 version, likewise based on the music of Scarlatti.
This series continued in 1994 with László Seregi, who choose the music of Karl Goldmark for his choreography, making the composer (a little under 80 years after his death and with the help of some judicious editing on the part of Frigyes Hidas), a co- creator with Shakespeare. The revised ballet music has the effect of a unified work, as if the long-deceased composer had written it specifically for this choreography.
The Taming of the Shrew is part of László Seregi’s Shakespeare cycle, following the highly successful Romeo and Juliet and A Midsummer Night’s Dream in the series. László Seregi was a key figure in the history of the Hungarian National Ballet, one who felt completely at home in the worldview of the Renaissance. This was palpable in these works, but his most important ability as a choreographer was most evident in the outstanding dramaturgical sense with which he was able to convert dramatic works to the language of dance in a manner that was both entertaining and accessible to a wide audience.

 

Program and cast

Conductor
Kálmán Szennai
Katherine
Jessica Carulla Leon
Tatiana Melnik
Claudia García Carriera
Petruchio
Gergely Leblanc
Iurii Kekalo
Gergő Ármin Balázsi
Bianca
Adrienn Pap
Ellina Pokhodnykh
Elena Sharipova
Lucentio
Dmitry Timofeev
Louis Scrivener
Taran Dumitru

Hungarian State Opera

The Opera House is not only one of the most significant art relic of Budapest, but the symbol of the Hungarian operatic tradition of more than three hundred years as well. The long-awaited moment in Hungarian opera life arrived on September 27, 1884, when, in the presence of Franz Joseph I. the Opera House was opened amid great pomp and ceremony. The event, however, erupted into a small scandal - the curious crowd broke into the entrance hall and overran the security guards in order to catch a glimpse of the splendid Palace on Sugar út. Designed by Mikós Ybl, a major figure of 19th century Hungarian architecture, the construction lived up to the highest expectations. Ornamentation included paintings and sculptures by leading figures of Hungarian art of the time: Károly Lotz, Bertalan Székely, Mór Than and Alajos Stróbl. The great bronze chandelier from Mainz and the stage machinery moda by the Asphaleia company of Vienna were both considered as cutting-edge technology at that time.

 

Many important artists were guests here including Gustav Mahler, the composer who was director in Budapest from 1887 to 1891. He founded the international prestige of the institution, performing Wagner operas as well as Magcagni’ Cavalleria Rusticana. The Hungarian State Opera has always maintained high professional standards, inviting international stars like Renée Fleming, Cecilia Bartoli, Monserrat Caballé, Placido Domingo, Luciano Pavarotti, José Cura, Thomas Hampson and Juan Diego Flórez to perform on its stage. The Hungarian cast include outstanding and renowed artists like Éva Marton, Ilona Tokody, Andrea Rost, Dénes Gulyás, Attila Fekete and Gábor Bretz.

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