La Fille mal gardée

Synopsis

 

Lise and Colas are in love and want to marry. However, the Widow Simone wants Lise to marry the dimwitted, but extremely rich, Alain, and has arranged (with Alain's father Thomas) for a marriage contract between Lise and Alain. The Widow Simone does her best to keep Lise and Colas apart, but is unsuccessful in her attempts to do so.

 

At harvest time the Widow Simone and Lise are taken to the field for a picnic lunch by Thomas and Alain. The farm workers join in a ribbon dance around a maypole, and the girls also join in a clog dance with the Widow Simone. There is a thunderstorm and everyone rushes for shelter. Alain is carried away on the wind by his open umbrella.

 

The Widow Simone and Lise return to their home. The widow wants Lise to sit down at the spinning wheel and spin, but Lise spins while she is up dancing, nearly strangling the widow. After a while, the widow wants Lise to dance, and Lise shows signs of unhappiness, but obliges. The widow takes a tambourine to play in time with Lise's dancing. When the widow is asleep, Lise tries to steal the key from the widow's pocket, to prevent the widow from locking her in, but is unsuccessful. The crops are brought in by the farm workers, and the widow then leaves the house (after locking the door behind her to prevent Lise from leaving the house). Lise thinks about Colas and mimes being the mother of a large number of children. To her embarrassment, Colas suddenly rises from the stacked crops. At the sound of the Widow Simone's returning to the house, Lise and Colas look around desperately for a place where he can hide. Not finding anywhere suitable in the living room, Lise takes Colas to her room, and she returns to the living room just before Widow Simone enters the house. The Widow Simone orders Lise to go to her room and put on her wedding dress for her forthcoming marriage to Alain. The horrified Lise tries to remain where she is, but the Widow Simone pushes Lise into her room and locks the door.

 

Thomas arrives with his son Alain (who is still clutching his umbrella). They are accompanied by a notary who is to act as witness to the marriage. The farm workers (friends of both Lise and Colas) also arrive. The Widow Simone gives Alain the key to Lise's room. When Alain unlocks the door to Lise's room, Lise appears in her wedding dress, accompanied by Colas. Thomas and Alain take offence, and the enraged Thomas tears up the marriage contract. Thomas, Alain and the notary leave the house in dudgeon. Lise and Colas then beg the Widow Simone to look favourably upon their suit. Love conquers all and the widow relents. Joyfully celebrating the happy outcome for Lise and Colas, everyone leaves, and the house is left quiet and empty, until Alain returns for his umbrella which he had accidentally left behind. So Alain is also happy with the love of his life – his umbrella.

Program and cast

Cast


Conductor: Yannis Pouspourikas
Simone: N.N.
Lise, her daughter: N.N.
Colas: N.N.
Alain: N.N.


Credits


Choreographer: Sir Frederick Ashton
Composer: Ferdinand Hérold
Music revised by:  John Lanchbery
Set and costume designer: Osbert Lancaster
Lighting designer: Jean-Pierre Gasquet
Libretto: Jean Dauberval
Company répétiteurs: Mária Aradi / Imre Dózsa / Ildikó Pongor / Dace Radina / Edit Rujsz

Buy tickets
October 2019 Next
Mo
Tu
We
Th
Fr
Sa
Su

Erkel Theatre

Opened in 1911 originally, the Erkel Theatre is Hungary’s largest theatre building. Its history is intertwined with the golden age of Hungarian opera performance, with such luminaries as Luciano Pavarotti, Placido Domingo, Éva Marton and Grace Bumbry all having graced the stage of a building whose acoustics are considered the stuff of opera legend.

After being shuttered up for more than five years with its fate in doubt following closure in 2007, the Hungarian government last year provided 1.7 billion forints in grants for the theatre’s renewal, allowing the Hungarian State Opera to renovate the Erkel Theatre to a standard suitable for holding performances.

Much of the refurbishments took place behind the scenes, with soloist and shared dressing rooms and common areas refitted and expanded. In addition, the stage’s technical equipment has undergone significant modernisation, while the building’s service systems (water, plumbing, heating and ventilation) have also been brought up to date.

Audiences will now step into an auditorium with a completely new look, while every effort was made to ensure that the building's fantastic acoustic properties remained unchanged. A factor that will greatly increase comfort is the modern ventilation system installed in the seating area. Although the number of seats has been reduced from 1,935 to 1,819 by refitting the rows of seats for more comfort, the theatre nevertheless retains its rank as the highest capacity theatre in Hungary – and in Eastern Central Europe.

Related events