Carmina Burana

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Synopsis

Magical images in 3D

For 15 years, painter and organist Ágnes Zászkaliczky and conductor and cellist Tibor Bogányi have been working together on finding ways to attract a wider range of audience segments to classical concerts by enhancing their productions with singular visual experiences: Zászkaliczky selects projected material from paintings created expressly for the given musical piece. Their largest-scale effort to date is the super-production Carmina Burana, which they put together with the world-renowned Budapest-based Freelusion Studio.

“We worked out the basic concept of Carmina Burana together with librettist Attila Könnyű. Not long after the idea was conceived, we found the Freelusion team, whose unique technical and artistic expertise allowed us to raise the concept of “visual concerts” to a new level. Through this collaboration, we developed real-time three-dimensional visual material that is in perfect harmony with the music. The essence of the concept is the fact that it is not the visuals that dictate the tempo, but rather the music: it is not the conductor’s task to “accompany” an existing film or animation, like at so many concerts of film music, for example. Instead, the music takes centre stage, and everything else adapts to it. We therefore had to create a form of animation that would be suitable for following the music live during the concert.

In the music, Orff followed and expressed the messages of the songs with extraordinary sensitivity. Starting from Orff’s own concept, we have selected “magical images” that reinforce the effect of the music without suppressing it, and which make the text more profound without illustrating it. The dynamic of the moods of the projection is organised along the lines of the major movements. We’ve built upon ancient symbols that can be found both in Hungarian and universal motif systems. Tímea Papp, Freelusion’s superb choreographer, we decided which movements would also incorporate dance to be performed by the outstanding dancers from the Hungarian National Ballet. We hope this will transport the audience to a magical virtual reality through Orff’s elemental music and the unique visual experience.”

Program and cast

Soprano

Rita RáczErika Miklósa

Tenor

Tibor SzappanosNinh Duc Hoang Long

Baritone

Róbert RezsnyákZsolt Haja

Dancers

Featuring

Bordó Sárkány Old Music Order

Prologue

Balázs CsémyAndrás Kőrösi

Hungarian State Opera

The Opera House is not only one of the most significant art relic of Budapest, but the symbol of the Hungarian operatic tradition of more than three hundred years as well. The long-awaited moment in Hungarian opera life arrived on September 27, 1884, when, in the presence of Franz Joseph I. the Opera House was opened amid great pomp and ceremony. The event, however, erupted into a small scandal - the curious crowd broke into the entrance hall and overran the security guards in order to catch a glimpse of the splendid Palace on Sugar út. Designed by Mikós Ybl, a major figure of 19th century Hungarian architecture, the construction lived up to the highest expectations. Ornamentation included paintings and sculptures by leading figures of Hungarian art of the time: Károly Lotz, Bertalan Székely, Mór Than and Alajos Stróbl. The great bronze chandelier from Mainz and the stage machinery moda by the Asphaleia company of Vienna were both considered as cutting-edge technology at that time.

 

Many important artists were guests here including Gustav Mahler, the composer who was director in Budapest from 1887 to 1891. He founded the international prestige of the institution, performing Wagner operas as well as Magcagni’ Cavalleria Rusticana. The Hungarian State Opera has always maintained high professional standards, inviting international stars like Renée Fleming, Cecilia Bartoli, Monserrat Caballé, Placido Domingo, Luciano Pavarotti, José Cura, Thomas Hampson and Juan Diego Flórez to perform on its stage. The Hungarian cast include outstanding and renowed artists like Éva Marton, Ilona Tokody, Andrea Rost, Dénes Gulyás, Attila Fekete and Gábor Bretz.

Attila Nagy
©
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