Budapest Festival Orchestra
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If we were to sit down and listen to the complete works of Antonín Dvořák in one sitting, we wouldn't leave our chairs for three and a half days. Although the Budapest Festival Orchestra will play only an hour from his oeuvre, that hour flashes with a thousand colours. Most of these pieces were written during Dvořák's 'Slavic period', the most productive time of his life. Since piano four hands was in fashion in his time, Dvořák wrote his Legends (1881) and Slavonic Dances (1878) as piano duets, which were only later adapted into orchestral pieces.
Brahms, his great predecessor, was not only inspired by, but also a great admirer of these cycles. The Legends, owing to their fineness, intimacy and lyricism, are referred to as counter-points to the energetic, at times flamboyant Slavonic Dances. Dvořák composed most of his choral works before his Slavic period, and the piece to be heard here is sung by the orchestra itself. The Czech master adored the railroad. He would have traded all his symphonies to have been the one to invent the steam locomotive, but fortunately for us, things turned out differently. His Symphony No. 6 (1880), which radiates warmth and serenity, is pure summer happiness pulsing with the magic of the Czech countryside.
Dvořák's ancestors were living as innkeepers and butchers in a small village near Prague when the 28-year-old Beethoven himself performed his Piano Concerto No. 1 (1798) in the Czech capital. The Budapest Festival Orchestra will perform this piece along with the young Zoltán Fejérvári, who, after winning first prize in the 2017 Montreal International Piano Competition, has enjoyed a meteoric rise in his international career.
Program and cast
BUDAPEST FESTIVAL ORCHESTRA
Ligeti 100
Ligeti: Síppal, dobbal, nádihegedűvel
Ligeti: Cello Concerto
Ligeti: Poème symphonique
Ligeti: Concert romanesc
Ligeti: San Francisco Polyphony
Katalin Károlyi (mezzo-soprano), Miklós Perényi (cello)
Budapest Fesitval Orchestra
Conductor: Zoltán Rácz
15 April
BUDAPEST FESTIVAL ORCHESTRA
Baroque Concert: Telemann, Fasch, Händel
Telemann: Orchestral Suite in G minor (‘La Musette’), TWV 55:G1
Fasch: Sinfonia in G major, FWV M:G5
Telemann: Concerto for Three Violins in F major, TWV 53:F1
INTERMISSION
Händel: Concerto Grosso in A major, HWV 329 [Op. 6/11]
Händel: Armida abbandonata – cantata, HWV 105
Stefanie True (soprano), Midori Seiler (violin)
Sigrid T’Hooft (baroque gesture)
Budapest Festival Orchestra (artistic director: Midori Seiler)
9-10 June
Haydn: Symphony No. 1 in D major, Hob. I:1
Mozart: Symphony No. 10 in G major, K. 74
Mozart: Oboe Concerto in C major, K. 314
INTERMISSION
Mendelssohn: String Symphony No. 1 in C major
Richard Strauss – Péter Kostyál: Der Rosenkavalier – suite (for string orchestra)
Victor Aviat (oboe)
Budapest Festival Orchestra (concertmaster: János Pilz)
Franz Liszt Academy of Music
The Liszt Academy of Music (Hungarian: Liszt Ferenc Zeneművészeti Egyetem, often abbreviated as Zeneakadémia, "Music Academy") is a concert hall and music conservatory in Budapest, Hungary, founded on November 14, 1875. It is home to the Liszt Collection, which features several valuable books and manuscripts donated by Franz Liszt upon his death, and the AVISO studio, a collaboration between the governments of Hungary and Japan to provide sound recording equipment and training for students.
Performances: We 19 Apr 2023,
Performances: Mo 20 Mar 2023, -
Performances: Sa 15 Apr 2023,
Performances: Sa 15 Apr 2023,
Performances: Mo 20 Mar 2023, -
Performances: Sa 15 Apr 2023,